Albert Bierstadt
Albert Bierstadt's Oil Paintings
Albert Bierstadt Museum
Jan 8, 1830 - Feb 18, 1902. German-American painter.

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Abraham Jansz Van Diepenbeeck
William duke of Newcastle, to horse

ID: 45856

Abraham Jansz Van Diepenbeeck William duke of Newcastle, to horse
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Abraham Jansz Van Diepenbeeck William duke of Newcastle, to horse


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Abraham Jansz Van Diepenbeeck

1596-1675, Flemish glass-painter, draughtsman, painter and tapestry designer. His reputation rests primarily on his drawings and oil sketches, of which several hundred survive, intended mainly as designs for stained-glass windows and prints. He was strongly influenced by the work of other important Flemish artists of the late 16th century and early 17th, notably Rubens, whose motifs and stylistic elements he frequently reworked in his own compositions.   Related Paintings of Abraham Jansz Van Diepenbeeck :. | Landscape | Detail of The Nightwatch (mk33) | cimone och efigenia | Eventide-Sunset | Portrait of Richard Arkwright English inventor |
Related Artists:
Frank Newbould
British Poster designer, 1887-1951
SANO di Pietro
Italian Early Renaissance Painter, 1406-1481
Jean-Louis Forain
1852-1931 French painter, printmaker and illustrator. Around 1860 he moved with his family to Paris, where he was taught by Jacquesson de la Chevreuse (1839-1903), Jean Baptiste Carpeaux and Andre Gill. He participated in the Franco-Prussian War (1870-71) and was a friend of the poets Paul Verlaine and Arthur Rimbaud; the latter is the presumed subject of a portrait (1874; priv. col., see 1982 exh. cat., no. 1) that may have influenced Manet late portrait of Mallarme (1876; Paris, Louvre). Forain first met Manet through his friendship with Degas in the early 1870s at the salon of Nina de Callias. He continued to associate with Manet, meeting the group of young Impressionists at the Cafe Guerbois and the Cafe de la Nouvelle Athenes. In 1878 Forain painted a small gouache, Cafe Scene (New York, Brooklyn Mus.), which probably influenced Manet Bar at the Folies-Bergere (1881-2; London, Courtauld Inst. Gals).






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